There is something profound
delimiting each place I have claimed
as home; the tar-pungent tang
of creosote bush portending rain,
sweeping sideways as though pencil-
sketched on dun-colored canvas
as it spills from oceanic heavens along
open stretches of Mojave desert;
The smoke of brush fires tended
by human hands breaking trail through
twists of hemlock- and fir-peppered deciduous
forests of rural Maine; freshly-felled poplar
hewn into cones by toothy beavers busy
harvesting food and shelter for an ever-
impending winter as nearby cattail-flanked
marshlands waft musk into nostrils aroused
by their complex bouquet;
Now home in Kohala, Paklan and varieties
of gardenia overwhelm the senses first,
while undertones of Cattleya and banana shrub
glide subtly on variable breezes spiked salty
from nearby oceanic cliffs as Pamplemousse
blossoms overwhelm the more subtle lavender
and rosemary, mint and oregano bedded in
to round out a complex tropical palate;
The eucalyptus groves of my youth fill gaps
in the imagination, painting scenes like
so many watercolors bleeding into one another
until, despite what I might have attempted
to paint, a more vibrant vision emerges
to sustain me;
Life turns capriciously on the unsuspecting,
contrasting signals drifting into awareness
as though conveyed along scattering winds,
yet in one stroke, certain odors bear gifts
both past and present, sliding the doors
of time like slices of glass under a microscope,
shifting blueprints of existence, mysterious cards
in a gypsy’s hand shuffling once, twice,
imparting significance to the present moment
only to calibrate again to situation and experience
as time extends itself into infinity.
(New Orleans ~ Guida and Royster; image: bj)
