When I was sixteen,
I worked at a local radio station
that hosted some of the biggest names in the business—
deejays like Casey Kasem and Bob Eubanks,
both of whom would later rise to television fame.
They were true gentlemen,
stand-up guys who always acknowledged
even unpaid interns like me.
The station often invited musicians on the rise
to answer request lines, so I met quite a few—
Frank Zappa.
The Doors.
The Turtles (remember them?).
The Standells (ditto).
Brenton Wood—the Oogum Boogum man himself.
And then there were the surprises,
the back-door arrivals no one announced.
One afternoon I stepped outside
just as a stretch limo pulled up.
Out stepped Muhammad Ali,
larger than life,
resplendent in a suit that shimmered
under the California sun.
The limo’s carpet—pink chinchilla—
was what struck me most.
Maybe it was the audacity of it,
his sheer confidence.
He didn’t see us, of course—
we were just wide-eyed kids,
invisible to greatness.
But I didn’t mind.
It was enough to breathe
the same air as the man
who floated like a butterfly
and stung like a bee.
The city was burning then—
riots in Los Angeles,
smoke rising not far
from where we played records
and answered listener requests.
Yet even that big city
seemed small beside the horror
of the lynchings still happening in the South.
Such was America in the sixties—
brilliance and brutality,
side by side.
And how have things changed,
all these years later?
We seem to be circling the same fires—
racism, equal rights,
tolerance of differences.
Will it matter that we ever raised our voices?
Will this nation ever mature enough
to contain diversity of all sorts?
If I didn’t believe it was possible,
I can hardly think what else
would hold me fast—
to a life as broad and wide
as the blessings I can conceive
beneath the starry dome of heaven.

author with deejay Dave Hull, “The Hullabalooer” ~ c 1968




